摘要

刘知幾《史通》的《疑古》《惑经》篇因其对儒家经典的质疑,长期被视为"妄诬圣哲"之作,而随着近代"科学"观念的风靡以及西方史学理论的输入,《疑古》《惑经》呈现出饱含怀疑和批判的科学精神以及与西方考证暗合的形象,之后,近现代史学的发展确立了其作为"学科典范"以及"蕴含多元价值的史学经典"的学术地位.这一历史形象变迁过程不仅映射出中国传统史学的现代化路径,亦可为当下传统史学遗产的创造性转化提供借鉴.; The chapters"Yi Gu"and"Huo Jing"in Liu Zhiji's Shitong have long been regarded as works that"blaspheme against the sage scholars"due to their questioning of Confucian classics.However,with the rise of the modern concept of"science"and the introduction of Western historiographical theories,these chapters are interpreted as exemplifying a scientific spirit of skep-ticism and criticism,in line with Western textual criticism.Subsequently,the development of modern and contemporary histori-ography established these works as"disciplinary paradigms"and"historiographical classics containing pluralistic values".This transformation of their historical image not only reflects the modernization path of traditional Chinese historiography,but also offers insights for the creative transformation of traditional historiographical heritage today.

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