摘要

《哪吒之魔童闹海》是一部神话题材的国产动画电影.它并非重述传统神话,而是采取新神话主义的策略对传统神话进行了创造性重构,塑造出符合当代审美与价值观念的人物形象,并通过易被年轻人接受的一系列叙事方式与融合古典美学的技术升级,呈现出一个具有当代价值内核的新哪吒神话.影片突破传统的父权叙事,强调代际和解与对正义世界的集体探寻,借助春节档期引发不同年龄观众的共鸣.在电影本身的新神话主义建构之外,影片在上映过程中还在多方助力下成为一个罗兰·巴特语境中的"今日神话",承载了"中国电影的骄傲"这样的外在意涵.而正是由于这种双重的神话建构,《哪吒之魔童闹海》才创造了票房神话.; Ne Zha 2 is a domestic animated film themed around mythology.Rather than retelling traditional myths,it adopts a neo-mythologistical strategy to creatively reconstruct them.It shapes character images that align with contemporary aesthetics and values,and through a series of narrative methods easily accepted by young people as well as technological upgrades integrat-ed with classical aesthetics,it presents a new Ne Zha myth with a core of contemporary values.The film breaks through the tra-ditional patriarchal narration,emphasizes intergenerational reconciliation and the collective pursuit of a just world,and resonates with audiences of different age groups by virtue of its release during the Spring Festival holiday period.Beyond the neo-mytho-logical construction of the film itself,during its screening,the film also became a"Myth Today"in the context of Roland Barthes with the support of multiple parties,carrying external connotations such as"the pride of Chinese cinema".It is precisely because of this dual myth construction that Ne Zha 2 has created a box office myth.

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