摘要

《哪吒》魔童系列是由饺子导演执导的东方神话动画电影,影片通过动态捕捉与虚拟制作等技术,重构了历年来哪吒神话中的视觉体系与叙事逻辑,并在解构传统符号的同时,再次完成了对文化基因的现代化转译.影片以"魔丸"与"灵珠"的符号裂变为叙事起点,打破了宿命论的桎梏,赋予哪吒个体抗争的现代性特质.与此同时,敖丙身份的流动性、申公豹的生存困境,进一步消解了善恶二元对立的传统叙事逻辑.在此过程中,古典神话的符号系统既被技术赋能的视觉奇观重新赋形,又通过与当代价值观的对话,完成了从文化怀旧到当代认同的范式转型.; The Ne Zha film series,directed by Jiaozi,is an animated film rooted in Eastern mythology.Utilizing technologies such as motion capture and virtual production,the film reconstructs the visual system and narrative logic inherent to the Ne Zha myths over the years.While deconstructing traditional symbols,it simultaneously accomplishes a modern reinterpretation of cultural genes.Taking the symbolic bifurcation of the"Demon Pill"and"Spirit Pearl"as its narrative starting point,the film breaks free from the constraints of fatalism,endowing Ne Zha with modern characteristics of individual rebellion.Concurrently,the fluid identity of Ao Bing and the existential plight of Shen Gongbao further dissolves the traditional narrative framework of a simplistic good-versus-evil binary.Throughout this process,the symbolic system of classical mythology is not only reshaped by the techno-logically empowered visual spectacle but also undergoes a paradigm shift from cultural nostalgia to contemporary identification through dialogue with modern values.

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